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Twin Town High (vol. 8) |
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Hot Tickets for August 18 - August 24
Wednesday 18 August @ 14:38:53 |
Sebadoh...Vox Vermillion...Emma...The Rakes...The Velvet Teen/Statistics...Lonesome Dan Kase...and many, oh so many, other heated tickets!
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August
18 - August 24, 2004 |
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Sebadoh
@ THE 400 BAR
Although not quite causing the same ruckus as the Pixies reunion (I guess
that’s what you get for only waiting five years to reunite instead
of 10), the return of Jason Lowenstein and Lou Barlow performing as Sebadoh
is equally exciting news for devotees of lo-fi indie-rock. Although
Lowenstein and Barlow have both continued cranking out the tunes since
the group’s disbanding (following 1999’s lukewarmly received
The Sebadoh) neither has managed to garner the accolades they easily score
when working in tandem. Long story short—we should have seen this
reunion coming. This run across the U.S. is being dubbed “turbo
acoustic tour 2004,” and if it follows the same format as the previous
reunion outing the duo fronted in April, it should feature all acoustic
instrumentation with the occasional cheap rhythmic doo-hickey providing
backing. No word yet on whether the reformation of the ‘Doh is permanent,
but here’s hoping the boys huddle up around the tape recorder together
and crank out another mid-fi charmer in ‘05, my copy of Harmacy
is scratched to shit! With Tom Heinl. 9 p.m. $12. 21+. 400 Cedar Ave.
S., Mpls. 612-338-8388. ROB VAN ALSTYNE
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The Matador of the 1st and 1st
@ PILLSBURY HOUSE THEATRE
Pillsbury
House Theatre presents Oliver Lake performing his solo piece “The
Matador of 1st and 1st.” Musician, composer, poet, painter and performance
artist, Lake is at PHT as the 2003 McKnight Visiting Composer with the
American Composers Forum. He has collaborated with Ntozake Shange, Mos
Def, Amiri Baraka and Anna Devere Smith and did the music for Carlyle
Brown’s “Talking Masks” at PHT earlier this year. “The
Matador of First and First” has garnered strong praise before coming
to the Twin Cities, hailed as “a captivating work that travels between
poetry, funky rhythms, free-jazz dissonance, rapping and insightful social
commentary.” (Across the Hudson). And it was named one of the top
10 jazz shows of the 2003 Earshot Jazz Festival Seattle. 7:30 p.m.
$10. 3501 Chicago Ave. S., Mpls. 612-825-0459. DWIGHT HOBBES
Vox Vermillion and the Harmony Army
@ THE MN MUSEUM OF AMERICAN ART
Vox
Vermillion craft an elegant brand of sophisticated pop that sounds poised
enough to provide the ideal backing for a modern dance troupe —and
how do I know, you may very well ask? Well, maybe because the Vox’ers
are slated to provide the ideal tuneage for local dance troupe the Harmony
Army (led by local choreographer Elizabeth McVay Greene) during what should
be a genre-blending and unforgettable night for the MMAA’s incredibly
successful patio night series (how successful you ask? The series original
run has been doubled and will now be extending into October). What better
way to spend a night proving your high-browness than perusing modern art,
kicking back to modern indie-pop tunes and reveling in the joys of modern
dance. Vox V are still hard at work with production ace Knol Tate (Ela,
Askeleton) on their forthcoming sophomore record, so now is as good a
time as any to see what they’ve been cooking up in his St. Paul
studio. 8 p.m. $5. All Ages. 50 W. Kellogg Blvd. (at Market St.), St.
Paul. 651-292-4355. nathan DEAN
Belfast Cowboys
@ THE FINE LINE MUSIC CAFE
Van Morrison is one of the more reclusive characters among legendary classic
rockers, a man not prone to giving interviews or letting those outside
of his inner circle get a bead on his thoughts. Yeah, he does a tour every
so often, but that’s about as close as most can get to him. So,
it’s hard to know what Morrison would think of a band like the Belfast
Cowboys, a group devoted solely to covering his music. I’d like
to think he’d feel at least a little proud. The Cowboys are the
perfect kind of tribute band, performing all the Morrison classics and
more than admirably led by bandleader/vocalist Terry Walsh and a number
of other established local vets. Morrison classicists to the core, and
so devoutly caught up in his Irish-ness that they performed their first
gig on St. Patty’s day, the Cowboys’ initially small following
of hardcore Van fan’s has already begun to blossom as word spreads
of the group’s emulation prowess. With Ali Gray. 8 p.m. $6. 21+.
318 First Ave. N., Mpls. 612-338-8100. Louis ENZMEIER
Emma
@ LOADING DOCK THEATRE
Chances
are, you never learned about Emma Goldman in your grade school history
classes. As a Jewish immigrant to the United States from Russia in the
1900s, Goldman found that America’s promise was not all it seemed
to be. Living in the slums and working in sweatshops, she became an activist
who fought for unionization, free love, birth control and anti-capitalism.
Being a true revolutionaryof her time, she was eventually deported for
her opposition to World War I. In “Emma,” an anti-war play
by Howard Zinn, the story of Goldman’s life is told by Theatre Pro
Rata. Purposely produced close to the upcoming elections, the play’s
themes seem especially parallel to the U.S.’s current socio-political
situation. Aug. 20 - Sept. 5. Thu. - Sat. 7:30 p.m.; Sun. 2 p.m. $15.
509 Sibley St., St. Paul. 612-873-9321. KATIE BODIN
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The Rakes
@ THE TURF CLUB
Shit kickin’ rock done right, the Rakes are celebrating the release
of their eagerly awaited sophomore platter, Automatic Volume, produced
with appropriately non-fussy aplomb by Mike Wisti, the man behind the
boards of seemingly every top flight Turf Clubby record dropping these
days. The Rakes practice a brand of lithe power-pop with just enough herky-jerky
new wave quirk to blow its chances of usurping Cheap Trick’s heinous
take on Big Star’s “In the Street” as the theme song
to “That 70’s Show.” All of which is a long-winded way
of saying that these guys manage to take a classic sound and make it all
their own. With The Rank Strangers and Missile. 9 p.m. $5. 21+. The
Corner of University and Snelling Avenues, St. Paul. 651-647-0486. VAN
ALSTYNE
Two Turntables and a Saxophone!
@ THE TRIPLE ROCK SOCIAL CLUB
Andrew Broder continues to busy himself with an array of intriguing side
projects intent on breaking down musical barriers while the world awaits
the latest from Fog. His latest side project is no different. Broder has
brought together fellow avant garde artists George Cartwright (of local
outfits Curlew and Gloryland Ponycat—and the man bringing the saxophone)
and Christian Marclay (a legend in the field of trippy turntablism) for
a night of one-off magic, and the end result of this three-headed sound
improv monster will surely be intriguing and difficult to classify. Cartwright
and Broder just finished work on a collaborative LP for Roaratorio records
(which I guess makes this the official release show)—it’s
a vinyl only joint so for those of you who aren’t record collecting
geeks (shame on you!), this could be the only chance for you to hear what
you’ll be missing out on — if the show is anything like the
record expect lots of ambient squiggling and free jazz sax noodling. With
special guests Cepia, Dosh. 9 p.m. $8 ($4 at the door for Walker Members).
21+. 629 Cedar Ave. S., Mpls. 612-333-7399. VAN ALYSTYNE
The Velvet Teen, Statistics
@ THE DINKYTOWNER CAFE
The
Velvet Teen’s 2002 debut, the Chris Walla produced Out of the Fierce
Parade, was a slick and gorgeous record full of operatic Yorke-ian swooning
from vocalist Judah Nagler and just shy of being truly stunning. On the
rare moments when everything came together, as on the poppy, piano driven
“The Prize Fighter,” VT nearly sounded like the future of
rock; elsewhere they just seemed lost. Their new effort, the self-produced
epic Elysium, is even more grand and sweeping in its ambition than its
starry-eyed predecessor.
Thankfully, this time around they appear to have the songs to back it
up (although they could apparently only muster up seven of them). Swelling
strings and grand pianos are the order of the day, and those who like
their indie-rock with more than a bit of melodramatic grandeur will surely
be in heaven when the band tears through tracks like the nearly 13-minute
“Chimera Obscurant.” Also on the bill are Omaha rock royalty
Statistics, fronted by former Desaparecidos-guitarist-but-Conor-buddy-4-life
Denver Dalley. Still touring off their ecstatically received debut Leave
Your Name, Dalley’s solo vehicle crafts a much more meditative and
keyboard heavy sound than the Superchunk-inspired racket he used to crank
out with Oberst, but still throws in enough huge hooks to keep the kids
dancing. With Rescue, End Transmission. 6 p.m. $6. All Ages. 412 ½
14th Ave. SE., Mpls. 612-362-0427. VAN ALSTYNE
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Lonesome Dan Kase and the Crush Collision Trio
@ THE KITTY CAT KLUB
Lonesome
Dan Kase and his ace band of roots classicists the Crush Collision Trio
are releasing a new record this week, Cold In Hand, although one could
easily be duped into thinking they’re actually just reissuing some
undiscovered outtakes from Harry Smith’s Folk Anthology. In an experiment
that mirrors Uncle Tupelo’s classic March 16-20, 1992 (but with
a fuck of a lot more dirt on its boots), the whole of Cold In Hand is
split between Kase originals and covers of classic folk material. A spare
live recording, Kase’s gritty gruff voice finds perfect companionship
in the folksy plunk of his band mates Matt Yetter (mandolin) and Mikkel
Beckmen (on the motherfucking washboard — respect!). Bluesy, ragged
and beautiful, Kase and his crew are making me long for the days of the
phonograph. With Valet performing an acoustic set. 9 p.m. Free. 21+.
315 14th Ave. SE, Mpls. 612-331-9800. Dean
Blue Eyed Son
@ THE 400 BAR
Andrew Heilpern used to be a punk-rocker, with So. Cal mainstays 40 Watt
Doman, but aims for more mellow terrain in his new solo folk-rock outfit,
Blue Eyed Son. Admittedly his debut for the oh-so-cutely titled Eenie
Meenie record label West of Lincoln falls well short of pulling a bon
a fide Elliott Smith maneuver in terms of being the punk rocker hiding
acoustic genius, but it’s still a laudable effort. Things get a
bit too chummy-strummy and painfully rhyme-heavy on occasion, but Heilpern
has an accessible and memorable voice that works particularly well on
the bouncier Beatles-esque pop numbers, a nice low-key achievement that
bodes well for future efforts. With TBA. 9 p.m. $5. 21+. 400 Cedar
Ave. S., Mpls. 612-332-2903. Dean
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