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The Black Dog inspires creativity -- its high ceilings, floor-to-ceiling windows and spacious tables encourage daydreaming, journaling, doodling and other precursors to art making.


THE SHOWS




Twin Town High (vol. 8)

Your Locally Grown Alternative Newspaper


Mel Gibson & The Pants: Seriously Laidback
Wednesday 14 December @ 18:06:30
Live Musicby Rob van Alstyne

Local sextet Mel Gibson & the Pants make the kind of groundbreaking, genre-defying music that is easy to enjoy and hard to explain. Is it hip-hop? Well, there is a rapper who sounds remarkably like Snoop Dogg on speed (his decidedly non-hip-hop handle is Harold Sanders). Is it rock? Well, they do have a live band quick to peel out post-rock riffs and rubbery bass lines. Is it electronic music? The band does appear to rock about as much techie gear as your average Best Buy and knows its way around skittery beats, jittery sequencing tricks and Tron-styled keyboard craziness. Given the post-Thanksgiving timing of my interview with Drew Christopherson (drums) and Ryan Olson (beats/sequences), I couldn’t resist asking them how they explain the sound of the band when munching on turkey legs with their respective families.

Download an mp3 of Mel Gibson and the Pants’ song “Reagan’s Dead.”


“I’m more likely to call it an electronic band with a rapper than I am to call it hip-hop,” says Christopherson. “We set out to make good hip-hop records, but there’s only so close to that sound we can get with the setup we have.”

“To me, I guess it’s all kind of hip-hop,” continues Olson. “There’s enough room in there for all of us to get our different voices out there.”

If one factor defines MG & the Pants’ soon-to-be-unveiled sophomore album, w/ Guitar, it’s that crazed confluence of unexpected voices (both lyrical and musical in nature). There’s Sanders of course, but his speed-drawled hyper-drollery is buoyed by some stunning guest spots from Twin Cities notables representing the two hottest collectives in town as both Doomtree (Cecil Otter, P.O.S.) and Rhymesayers (Eyedea) emcees sound off to the perfectly simpatico space-rock backing of the band. Guest rhymers aren’t the only surprises in store as the band shows its love for the spastic rock end of their equation by soliciting some guest yelps from Travis Bos of Chariots and so-and-so from the Belles of Skin City.

A dizzying sonic collage nearly an hour in length, w/Guitar is a relentless lesson, and Sanders proves himself a master lyricist throughout—just as deft with scathing attacks on commerce (“Life’s more than just consumerism / Whose vision are you fitting? / How you living floor to ceiling? / What’s all this stuff concealing that your life ain’t fulfilling?”) as playful personal contemplation (“The tragedy of growing up is—well, growing up—but still being able to fit into all of your old emotional self”).

Sanders’ rapid-fire, insight-laden rhymes would be enough to mesmerize even within the traditional “two turntables and microphone world,” but fusing them with the group’s forward thinking instrumentation is a revelation. Settling in a heretofore undiscovered pocket somewhere between Minus the Bear’s post-prog explorations and the Sea and Cake’s chilled out breeziness, MG & the Pants’ sound is intriguing even before Olson subjects it to the extensive sequencing and effects work that turns it on its head and launches it into orbit. From the opening semi-reggae-wooziness of “I’ll Never Be Happy Again” and its straight-out- Nintendo keyboard to the closing cascading guitar lines of chilled out anthem “This Boat is Obviously Sinking,” the listener remains challenged and engaged.

“We recorded with Jaime Hansen again for this record, but this time he really wanted us to record in Steve Albini’s studio in Chicago because of the equipment they have there, so we went there and laid down all the basic tracks live in like two days,” explains Olson of the album’s unique birthing process. “From there we just spent a ton of time back in Minneapolis with Pro Tools and stuff in our practice space. If we could edit it and make something pop in a different way we did it. The whole thing took about a year and you can get lost with what your original focus was. I would rather do it quicker.”

Despite Olson’s wish for quicker results, w/Guitar gains much of its hazy mojo from this blend of punchy live instrumentation and textural effects. Christopherson is a true beast behind the drum kit on aptly titled cuts like “Unleash the Beats” and guitarist Riley Hartnett crunches sinisterly and arpeggiates beautifully with equal aplomb throughout. These live chops form an oddly beautiful symbiotic relationship with Sanders’ computer-tweaked witticisms (frequently double- and triple-tracked or digitally tweaked to approximate harmonies).

With the band members involved in numerous other musical and real-life projects—from running the local record label collective Totally Gross National Product to pursuing doctoral degrees in neuroscience—local music fans should give thanks that the six busy members of MG & the Pants manage to make the time to link up at all. Although the group has received substantial love from 89.3 the Current, the band wishes to put to rest any misperceptions of “local music stardom” people might have about the group.

“When we were on the Current the other day they asked us about our ‘rapid rise to local stardom’ and I didn’t really know how to respond,” replies Christopherson stifling a laugh. “First of all we’ve been around for like three years so it can’t be that rapid, and secondly we still play plenty of shows in front of, like 35 people—I don’t think I really know what ‘local music stardom’ is.”

“We’re definitely not in this for the money or some kind of stardom,” continues Olson. “Like 98 percent of my friends play music—it’s just what the hell we do. We started a record label so we would have something to do on Friday nights.”

“Yeah, I mean all the way to the name it’s kind of obvious we don’t take ourselves very seriously,” adds Christopherson as our conversation comes to a close. “I’m pretty sure the second this stops being fun we’d all reconsider doing it.” ||

Mel Gibson & the Pants play two CD release shows for w/Guitar on Sat., Dec. 17 at the Triple Rock Social Club. Both shows will feature openers Doomtree and Dosh. 5 p.m. $6. All Ages. And again at 10 p.m. $6. 21+. 629 Cedar Ave. S., Mpls. 612-333-7399.

For more info on Mel Gibson & the Pants check out their record label’s official website at TotallyGrossNationalProduct.com.

Head on over to our mp3 page to download hundreds of tunes, including Mel Gibson and the Pants’ song “Reagan’s Dead.”

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