1
Search:
Welcome to PulseTC.com Articles · Calendar · About Pulse · Ad Information  
PULSE
About Pulse
   Advertising info
   Privacy policy
Articles
   Hot Tickets
   News
   Arts
   Music
   Letters
   Archive
Southside Pride | website
   Queen of Cuisine
      Nokomis
      Phillips Powderhorn
      Riverside
   Re-Use-It Guide
      Nokomis
      Phillips Powderhorn
      Riverside
   Gift Guide
   Back Page
   Venue Websites
   Save the Planet
   Valentine's Gift Guide
Join our mailing list
Cartoons
Links
   Pulse MySpace
   Web links
   Downloads
Random Link
Peace Calendar
Browse Documents
Type Link Name Here

Downloads
· Mp3s [120]

Pulse of the Twin Cities Login
Nickname:
Password:
If you do not have an account yet Create One.

DEEP


The Black Dog inspires creativity -- its high ceilings, floor-to-ceiling windows and spacious tables encourage daydreaming, journaling, doodling and other precursors to art making.


THE SHOWS




Twin Town High (vol. 8)

Your Locally Grown Alternative Newspaper


The Narrator: Triumph of the will
Wednesday 08 June @ 01:40:34
Live Musicby Nathan Hall

Picture, if you will, a young man fighting with his inner critic, eventually allowing himself to connect with a middle-aged woman he is smitten with over the course of the night at a house party. Then you realize that your storyteller for the evening is, shall we say, highly unreliable. In fact, the story is not about that at all. Instead, it concerns the sorrowful, 110 percent non-ironic mourning of some long-dead house pets.

Welcome to the wonderful and wacky world of the Narrator, a hard-working but still relatively new-ish Chicago-based indie rock band currently signed to Flame Shovel Records.

Download an mp3 of The Narrator’s song “Pregnant Boys.”


Bursting at the seams with the aforementioned red herring lyrical imagery, the Narrator was founded by lead singer Sam Axelrod in 2002. They played their first show on Halloween Eve 2002 at an establishment called the Mutiny. Shortly thereafter, a self-titled 7-inch slab of vinyl and a CD EP (Youth City Fire) hit the streets. Both said titles were released through the Chicago-based independent label Flame Shovel Records, home to such fledgling college rock names as Chin Up Chin Up, Joan of Arse and Make Believe, amongst many others.

It would probably be prudent now to mention that Narrator guitarist Jesse Woghin is co-founder of the 4-years-and-running Flame Shovel. Some of the seed money was provided by savings from a well-paid position at a commercial real estate firm that auctioned off gas stations and convenience stores. Flame Shovel currently shares an office building with another record label (File 13), two public relations firms and a booking agency; all conveniently situated upstairs from the famed Empty Bottle nightclub.

The Flame Shovel-backed debut full-length, Such Triumph, will be released domestically on June 28. The standout track, “Pregnant Boys,” is highly reminiscent of the lo-fi, barely-holding-it-together inspired musical chaos of We Vs. The Shark or old school Pavement. Lines like “Start a band and kill yourself/There’s no better reason than no reason at all” help the cause tremendously.

In addition to doubling as what would make the best soundtrack for an Insound.com television commercial ever, equally strong best-cut-on-the-disc contender “The Party’s Over” positively shines with a healthy dose of equal parts hearty whoo-hoos, Cap’N Jazz-brand vocal histrionics, tongue-in-cheek martyr posturing, progressive politics and drunken answering machine message snippets.

The jarring rhythmic interplay between drummer Nathan Henethan and bassist James Barron certainly gives …And You Will Know Us By The Trail Of Dead a run for their money as well. Comparisons might also reasonably be drawn to the abrasive, druggy excesses of the Constantines, whom the Narrator has opened for on at least one occasion.

About to head out touring the West Coast in support of the new CD (the 23-city trek is humbly entitled Support Our Dream 2005), I reached headman Axelrod via cell phone from his desk at his temp day job. Unfortunately, answers to the mysteries buried within the puzzling lyric sheets were not forthcoming this afternoon. Axelrod is a polite enough chap but mums the word on obtuse song meanings, clues behind the cryptic album title or even simply the origin of the band’s name. This could all be Neo-Nazi propaganda, for all I know.

Upon further prodding, Axelrod introduces himself as being largely of Austrian/German/Russian descent. Originally hailing from Manhattan, he relocated to Chicago for what can be assumed are non-musical reasons roughly six years ago.

“I started playing guitar when I was 14,” explains Axelrod. “Modest Mouse was probably everyone’s favorite band (for us) in high school…As far as influences go, Unwound for sure. We rip them off pretty frequently.”

The Narrator’s sound is also often dismissed by lazy rock critics as emo, nowadays a dreaded pejorative term seemingly no one has the courage to own up to, Narrator included. “I don’t really understand how someone could compare us to the Promise Ring,” states Axelrod. “That said, every once in awhile I’ll throw on [The Promise Ring’s 1997 album] Nothing Feels Good—and there’s no harm, no foul there either.”

Aside from being a huge Hüsker Dü fan, Axelrod’s strongest memory of the Twin Cities remains their first show in St. Paul. “We were booked at Big V’s and for whatever reason we played last so that meant start time was 1 A.M.,” says Axelrod. “We had been drinking for several hours at that point so we decided to set up everything on the floor. The sound was horrible and I ended up peeling Jesse off the floor at the end of the night.”

Boozy, borderline bacchanalian affairs have also become somewhat of a signature for the group thus far. There is the story about the upstate New York barn that collapsed and imploded mid-concert. There is also the one about the unsupervised Ivy League house party in which a keg was stolen and sold to an old friend to compensate for being stiffed by the soiree’s shady organizer.

“Our last show was only 13 minutes long, which I think is a personal record for us,” jokes Axelrod. “I broke a string on the first note of the first song and James did too soon after so he ended up doing air bass for two songs…I guess you could say we are pretty inconsistent live, kind of like the Replacements. Not that we are as good as they are or even that I saw them play. More just in the sense that sometimes we’re really good and sometimes we’re really not.”

Axelrod insists he is not trying to be melodramatic when avoiding explication of his obtuse lyricism, it’s just that it’s all open to interpretation, clichés be damned. This album could potentially be about Conan O’Brien’s sidekick, a motorcycle road trip, head banging Canadians with mullets, the fall of the Roman empire, the dropping of an atom bomb or any number of other things. My money is on lost childhood and the previously mentioned dearly departed dogs and cats. That’s my story and I’m sticking with it. ||

The Narrator plays on Sun. June 12 at the 7th St. Entry with local acts Superdanger and Passions. 9 p.m. 21+. $5. 701 First Ave. N., Mpls. 612-338-8388.

Find out more about the Narrator on their official website at TheNarrator.net.

Head on over to our mp3 page to download hundreds of songs, including The Narrator’s song “Pregnant Boys.”

Send this announcement to a friend  |  Printable Version 


Comments - Post Comment
The comments are owned by the poster. We are not responsible for its content.
Threshold:Display   


NO comments yet! Be the first!

Copyright � Pulse of the Twin Cities and Hosting Ave LLC
This site is powered by GNU GPL code