by Tom Hallett
R.I.P.- Round The Dial salutes the late, great BBC Radio-1 DJ John Peel, who passed away on Oct. 25 of a heart attack. He was 65 years old. Peel spent over four decades discovering, promoting and playing some of the greatest indie, punk, underground and Americana to grace today's music scene, including such Minnesota artists as Bob Dylan, Babes In Toyland and Jack Norton. He will be greatly missed.
It is with great trepidation that I pen this week’s column—considering that Pulse goes to press on Tuesdays, and this Tuesday is probably the most important Tuesday I’ve ever witnessed in my adult lifetime. When this paper hits the streets on Wednesday, Nov. 3, no matter what the outcome, the world will be a very different place.
The last time I can remember the entire planet being this massively—albeit fearfully—involved in politics, Ronald Reagan and Bush I were goose-stepping their merry little way to a second term.
QUOTE
OF THE WEEK: “I’m not normaly a praying person, but if you’re
up there, please save me, Superman!”
— Homer Simpson
SONG OF THE WEEK: “What’s the Ugliest Part of Your Body?”
— The Mothers of Invention
Then, as now, the seeds of scandal had already been planted and were well on
their way to coming to fruition (as my bad acid-trip recollection of the Ollie
North hearings will attest to), and anybody (from either major party) who wasn’t
a religious fanatic, a gun nut, an upper-crust polished turd, or a straight-out
wack job, was against ol’ Dutch. I can remember railing against the administration
(deja vu, whoa) at parties and bars; all of us confident that, just by being
aware of the issues, daring to speak of them out loud, and baring our young,
ignorant, drunken souls to the world at large, we’d somehow manage to
subvert the inevitable and rid ourselves of this fascist scourge once and for
all.
Of course, very few of us actually bothered to vote that year, and if we had,
I don’t think we’d have known much about our choices. Not only were
we actually gobbling some particularly wicked Hell’s Angels’ acid
(don’t ask), but, in our haste to vanquish what we perceived to be the
living embodiment of George Orwell’s “1984” nightmare come
to life before our very eyes, we’d neglected to spend even the slightest
amount of time studying any positive alternative solutions whatsoever. Talk
about clueless. Thankfully, today’s youth has a lot less access to kick-ass
LSD and a lot more access to information and helpful instruction about their
voting choices. As this column goes to press, I can only hope that they, along
with the conscientious artistic and intellectual communities, have exercised
those options and made the change we once again so desperately need.
Writing this column without knowing the results of the 2004 race for U.S. President
between incumbent “W” (representing another terrifying rise of the
evil specter of corporate and global “Empire”) and Democratic runner
John Kerry (a lesser-of-two-evils kinda guy who, although not as politically
and personally as reprehensible as the Bush/Cheney team, is still just another
multi-millionaire in a suit and tie making a grab for glory/and/or power) is
a tough row to hoe. It’s hard (nigh unto impossible) in these trying times
to sit back and pen light-hearted music and arts-related articles without at
least nodding to the events unfolding around us. Looking back, I’ve mentioned
politics more times in the past 11 months than I ever did in nearly five years
of writing this column. That’s not because I’ve suddenly sobered
up, gotten my priorities straight, and decided to contribute more to my fellow
man, folks. I’m still the same fucked-up, sub-professional, dorky music
geek I’ve always been, it’s just that I’d have to be absolutely
soul-and-brain dead to ignore what may turn out to be the ultimate battle for
the future of America—and in turn, the world.
I’ve got a good notion that we won’t really have a clear-cut winner
for this election until at least a few days (and lawsuits) have come and gone,
so I’ll hold off on celebration or depression, despite what the initial
results are. I remember 2000—and how hurt and angry we were when we really,
truly realized that, no matter what the American people wanted, things were
going to be the way they were. That may or may not happen again this year. Regardless
(and no matter what the eventual election results are), I figured the best I
could do in the position I’m in is to just remind everyone that, whether
your choice wins or someone else’s does, the most good you can really
do is within your own neighborhoods, your own communities, your own families.
There’s nothing sadder than a political, religious or philosophical zealot
who’s so involved with major events that he or she is able to walk with
impunity past a starving homeless person on the street and do nothing. There’s
no more pathetic a situation than an active community leader, clergy person
or volunteer who’s neglected to check on the elderly couple living next
door as they race around doing “good deeds.” And there’s nothing
more heartbreaking (and potentially damaging to the very fabric of society)
than the all-around nice guy Little League coach whose own son or daughter sinks
into depression and despair due to neglect. Take care of your own, then worry
about bigger things. That’s all any of us can do.
On that note, I’ll make a genuine effort here (to paraphrase my old chums
Funkadelic in the classic cut “Maggot Brain”) to “rise above
it all, or drown in my own shit ...” and present you all with a momentary
diversion from the helter-skelter world of spin docs, documentary spins, pundits,
politics and popular pop culture pabulum. A few days back, after scanning some
useless news feeds online (the usual micro-clips that tell you a whole lotta
nothing), I started to think about how ubiquitous the press’ chew-em-up
and spit-em-out policy has become. And not just regarding politics, or local
news or regional information.
The entertainment press is just as—if not more—guilty than any other
faction of the biz of compacting, shrinking and spewing out the bare minimum
of information whenever possible. And that’s not all. It seems to me (and
I’ve actually been at this for awhile now) that we seem to just brush
over a lot of the artists we go to so much trouble to bring to you in the first
place. And if we do end up doing them justice the first or second time around,
we seem to feel (is it just a “rock journalist” thing, or is it
just that we, like the rest of the modern world, have absolutely no attention
spans left whatsoever?) like once we’ve broken the news, we’ve done
our parts once and for all, for ever and ever, and never have to speak of that
subject/artist again.
Oh, sure, if somebody makes a big splash somewhere else, we’re quick to
take credit for being the first to notice and write about said somebody, but
what about when an artist just keeps on doing the great stuff you dug ‘em
for in the first place? What if they’re still struggling, and working,
and just doing their thing, and not getting rich and famous for it? Isn’t
the day-to-day, real-life, waking world we live in an interesting enough of
a place to report on, write about and update? Do our subjects ALWAYS have to
have a new album out that week, or be playing a gig or tour? Anyway, I’m
ranting again here. What I’m trying to say is that I’m guilty of
this practice as well, and mean to start doing something about it right now.
So in the spirit of continuity, and respect and genuine, honest concern and
curiosity, here’s a special Round The Dial Update section on some of my
fave musicians, artists, writers, poets and all-around artistic geniuses. We’ll
call this one ...
HEY! WHAT THE HELL’S GOING ON WITH...
*Tom
Siler, artist/multi-instrumentalist/Rod Stewart fan? Siler, who’s
half of the successful St. Paul-to-New York rock cabaret outfit Tulip Sweet
(As well as a founding member of a veritable cornucopia of successful acts like
The Odd, Larme De Colere and King Of France), has had a busy summer traveling
the country both playing music and running his highly successful caricature
business. Currently, he’s back in Brooklyn, where Tulip keeps busy gigging,
writing, and practicing.
A quick peek at the June 3rd entry to his online journal, Tom Siler’s
Questionable Methods (go to http://www.tulipsweet.com and follow the links- and make
sure to check out the caricatures, they’re inexpensive and great rock
n’ roll-type gifts!), finds a typical Siler-ism up for perusal: A pissed-off
rant about lousy DSL hook-ups in NYC, culminating in the heavy-handed statement,
“I’m not coming back until October, and then I’m giving New
York ONE MORE CHANCE to live up to its ridiculously overblown reputation as
the greatest city in the world...”
Thankfully, the multi-talented singer/songwriter/musician seems to have found
some serenity and inner peace during his summer travels, as this decidedly more
upbeat affirmation from Oct. 25 reveals: “I browse the internet for weekend
colleges a little. I do all kinds of things that may one day lead to a better
direction. For instance, work as an independent contractor. I am a creation
of habit, and earning a living is erratic due to seasonal occupations such as
caricaturing. I’m always open to suggestions, when they are supportive
and positive, and I always come up with new ideas. Amen, and thank you Universe.”
Hot rumor: A source close to the group tells the ‘Dial that Siler
has abdicated his throne as a member of indie darlings King Of France. The band
will apparently continue with a replacement. Siler was unavailable for comment,
but the source says, “Tom still plays with a bus load of folks, so it’s
no biggie ...” If it’s true, we say the loss is all KOF’s.
Fortunately, Tulip Sweet the band is alive and well, and will surely perform
again soon in the Twin Cities ...
*Exiled On Main Street? This kick-ass one-man local rock ’n’
roll lifestyle ‘zine, written and produced by one Bill Tuomala, remains,
for my money, the coolest monthly rock read in town. I don’t think it
can be said often enough in the local music press that we really, really, really
need people like Bill and material like Exiled. This stuff is pure, unadulterated
rock ’n’ roll pomp, prose and poetry, brought to you by a guy who’s
proud to drink Schlitz beer, listen to hair metal, and spill his deepest, darkest
thoughts once a month for nothing but the pure satisfaction of DOING IT. Hell,
I’m pretty sure Bill actually has to put money out of his own pocket to
get EOMS out, and that, folks, is dedication.
The
funny thing about Bill is, he’s not really the guy (or he is, and it’s
just that that guy only gets out on the written page ...) he sounds like from
the above description. I mean, sure, he does drink Schlitz beer, but he’s
not a “party animal” in any sense of the term. He’s actually
a pretty shy guy who’s been known to go on at length in print (and to
mention to me in several e-mails over the past few years) about how torn he
feels between his need to experience live music and meet people and his inherent
tendencies to squirrel away a 12-pack of beer and sit alone in his pad listening
to music, watching sports, or writing, writing, writing.
And yeah, he’s been known to rant and rave in EOMS about the personal
rewards involved in cranking Megadeth tunes to 11, but he’s also written
reams about local, indie bands over the years, and recently printed a moving
tribute to Ray Charles. And by his “deepest, darkest thoughts ...”
I don’t necessarily mean he constantly sits around obsessing over himself,
I mean he actually puts time and effort into researching and writing about far-out
scientific theories like Trans-humanism and what The Mirage nightclub once meant
to Twin Cities music fans. Heavy, man...and a bottle of bread. Anyhow, I thought
you should know that issue #39 is up online at http://www.readexiled.com, where you’ll
also find all the mag’s back issues as well as loads of other cool rants,
raves and features. But don’t just read it and bookmark it—dig down
and send Bill a five-spot, thereby guaranteeing many future (paper) issues in
your mailbox and mine. SUPPORT YOUR LOCAL ART SCENE!!
GIG OF THE WEEK
A
fantastic evening of art, music, and people-watching unfolds this Friday, Nov.
5, at The Speedboat Gallery in St. Paul’s Midway. Local impresario Paul
D. and his merry band of art/punk outlaws present the paintings of Minneapolis
artists/studio-mates Ed Charbonneau (celebrated mural-painter whose work appears
at Fat Lorenzo’s Restaurant in Minneapolis and at the Grand Avenue location
of St. Paul’s Ace Hardware store) and Jeremy Szopinski, who creates “collage”-style
portraits from pieces of many other portraits. Musical guests include Anahadanada
and the minimalist sounds of Semiconductor. Always an experience to remember.
7 p.m., all-ages. SUPPORT YOUR LOCAL ART SCENE!!
Well, that about does it for this session, gang. I’ll be featuring more
Updates in this space soon, as well as CD and DVD reviews you’re gonna
go wild for! In the coming weeks, we’ll check out classic Sweet, Dee Dee
Ramone, Iggy & The Stooges, The Summer People, Steve Kilbey’s (ex-The
Church) Isidore, The Blood Shot, a pair from John Frusciante and loads more.
Hope of hopes that this coming week brings good news (see “Quote Of The
Week”), and that next time ‘round we’ll all be in a more solid
frame of mind. In the meantime, now more than ever is the time to take the age-old,
sage advice I’ve been layin’ on you at the close of this column
for half a decade or so- get on out there and make yer own damn news!! ||
If you have local music news, gigs, CDs you’d like
to see mentioned in this column, or you’d just like to share your recent
Election Day experiences, send replies to: (temporary e-mail) jamescrouch_1@juno.com.
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