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DEEP


The Black Dog inspires creativity -- its high ceilings, floor-to-ceiling windows and spacious tables encourage daydreaming, journaling, doodling and other precursors to art making.


THE SHOWS




Twin Town High (vol. 8)

Your Locally Grown Alternative Newspaper


Club Profile: The Hat Trick Lounge
Friday 09 June @ 17:22:27
Musicby Cyn Collins

The Hat Trick Lounge lives up to its name. Bookers Larry Englund and Robin Shaw pull many surprise rhythms and grooves out of their hats, bringing life and vibrant sound to this bar located in the heart of downtown St. Paul. They balance a very eclectic mix of new and established talent in this old bar which feels as intimate and cozy as the inside of a velveteen hat lined with neon and pinhole stars.

One side is an old Irish-style bar while the other features a stage with nearby seating. Regulars at the bar can hear the music and still hold a conversation; show-goers pay a small cover to fully indulge in the music spectacle and eat free chicken wings, veggies and other barfare.

From bluegrass to blues, from surf to swinging jazz, the Hat Trick does it all regardless of familiarity. The popular local old-timey all-girl stringband the Ditch Lilies have played there. Shaw said, “We have some great bluegrass and old-time bands here. I had no exposure to that kind of music or country music when I was growing up. I’m always amazed at the new stuff I see here. I wonder how did they get into that groove? I think of [surf guitar goddess] Ronnie Lake ... how did you all of a sudden decide you were going to get into this niche of surf music?”

Besides innumerable local artists such as swing jazz guitarist John Kolstad and blues regulars Curtis and the Kicks, The Hat Trick bookers pull bands out of their hats from afar. Madison’s The Dorothy Harolds brought their fans with them, and Shaw said Des Moines’ Wu Li Masters “pack the place like a Trampled by Turtles show.”

One such far-out band, Chinese Fingertrap—a really hot sax-led funky jazz band from Milwaukee—moved fluidly from Latin rhythms into a techno percussion funk jam session to postmodern electronic pop like a dream amalgamation of Frank Zappa, the Doors, spy music and P-Funk rolled into one. It was the perfect ear-popping backdrop to hearing the story of the Hat Trick Lounge’s emergence as a strong music venue.

Englund and Shaw, who came from Philly 35 years ago, have both been involved in the music biz for decades. They go way back to 1976, when they met working for the Whittier Globe. They continued their publishing adventures and “misadventures” together working at alt-publications Machete and Metropolis, during the days of Hundred Flowers, which was headed up by Pulse publisher Eddie Felien.

Englund and Shaw got their booking chops in the early ’80s, booking reggae band Shangoya, one of the most popular West Bank bands of the late ’70s and early ’80s. Englund said they got Shangoya from playing five nights a month to 20 during the six months they booked them. They continued to successfully book other musicians as well. Englund also contributes his nearly 25 years of experience programming his KFAI “Rhythm and Grooves” show Tuesday nights.

The Hat Trick, owned by Mike Fish and his son John, formerly hosted music once or twice a month. Englund became aware of the Fishes when they provided food for St. Paul downtown neighborhood meetings Englund attended.

Shaw said, “Larry and I were talking about kind of a mothership type of place like this. We kid about this and say we would like a toy club, like a train set. As a matter of fact, one of us has that, too. Anyway, it’s a serious business; we were strategically looking for a venue.”

“Then the bell went off in my head,” said Englund. “Bing! I know a club!”

The Hat Trick was in transition, and downtown was also transitioning to more of a residential community. Shaw added, “With the impending smoking ban, [the owners] were like, ‘How are we going to transition the business?’ They had been doing music, they just wanted to tighten up how they did it. They had to have somebody who had experience booking music.”

John Fish said of the musical transformation, “I like the diversity of music. It draws a good mix of people from their mid-20s to mid-40s. It was more of a rock ’n’ roll crowd. It’s a different deal having more blues and jazz now, a more mature crowd, a lot more sophisticated people.”

Their booking approach is pragmatic and relaxed. Shaw said, “All these little clubs are like microenvironments. What works in one club won’t necessarily work in another … you can’t just transpose what works on the West Bank to Northeast to Downtown St. Paul. You have to start running things through the pipeline and seeing what works and what doesn’t. We’ve had nights bomb; we’ve had nights do well. We’ve learned which bands can fill up the club and which can’t, and we still have to take chances.”

Booking only one genre wouldn’t work, said Shaw, adding, “We can’t get away from experimenting. If we had a band that didn’t do great the first time—we give them a second chance. If 60 – 80 percent of the nights are successful, we can experiment.”

Shaw views the Hat Trick as an incubator. “Bands get better as they play here. It’s surprising to see how much progress bands make.” He added, “There’s a cross-pollination between [the bands]. We get Curtis and the Kicks here and Curtis will say, ‘I’ve brought a friend with me, who also has a band,’ so inevitably we’ll give it a try and see what happens.”

Ed O’Brien, lead singer for regulars Enchanted Ape, said, “This place seems to inspire rowdiness. It reminds me of a neighborhood bar but it’s downtown—it’s very intimate—there’s not much of a line drawn between us and the audience. The staff and booking people are much more supportive than most.”

Englund cited one of his favorite reasons for booking: “We get to hear a lot of great music—it’s amazing how much talent there is in town. The Silly Little Nothings are like the Ramones but then they do a song like ‘In Heaven there’s No Bar.’”

What’s one of Shaw’s favorite things about booking the Hat Trick? Englund and I watched as Shaw impulsively leapt up to join Enchanted Ape on harmonica for a song as he often does with various bands.

Shaw’s most highly recommended shows for the near future include Saturday, June 10: Dee Miller Band, with LA and the Timekeepers, Friday, June 16: Papa John Kolstad, and Saturday, June 24: Out of the Blue. ||

Hat Trick Lounge is located at 134 E. 5th St., 651-228-1347. For more information, go to RobinCommunications.com/hat_trick_lounge.htm.

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